HR155 - Murray the Cop - Dark Times Are Coming - C90 — 1989
REVIEW by Jerry Kranitz
Murray the Cop is West Virginia based Bunk Nesbit. What I enjoyed so much about this tape is the eerie morphing and mixing of synth-pop with Industrial and experimental elements.
‘Proceed With Caution’ opens the set with a brief, playful, minimal synth melody. The action really begins with ‘Dark Times Are Coming’, a spacey, hip-shaking, minimal synth-pop tune, overlaying voice samples that contrast with the music. But they’re hysterical! Examples: “Where’s a good place to take a shit?!” And, “You quit yer sassin’ boy. I pulled you out of your mother and I’ll shove ya right back in!” ‘Dance Of The Dead’ features hyper-kinetic synth-pop with swirling chaotic effects. The voice samples start with a brief bit from a religious show, but we soon get Bunk’s vocals singing to the music. It’s aggressive but melodic and has a nice groove. Imagine Chrome trying to be a synth-pop band. ‘Second Landing’ sounds like a steadily shimmering rush of aircraft drones and laser blasts, peppered with barely audible voice samples. ‘The Effects of PCP On The Godfather Of Soul’ is a rhythmic cut-up of James Brown shouts, horn blasts, and crowd cheers. ‘The Cancerous Gift’ consists of robotic synth-pop with tobacco scarred vocals that sound like a cross between Country and Goth. ‘No Mercy For The Weak’ is similar but with more overtly Goth vocals, but also a cool plinkity synth melody and a soaring spacey synth line. Bunk surprises by amusingly sneaking in the opening lines of lyrics from Tanya Tucker’s ‘Delta Dawn’. ‘Sheep In Wolves Clothing’ is pure valium drenched synth-drone-pop.
Side B opens with ‘Christian Prostitution’, which at 32 minutes is the epic of the set. It’s a free-wheeling collage banquet of voice samples, music, morse code melodies, sundry sounds, and effects. ‘Art Linkletters Daughter’ is a quirkily bouncy Kraftwerk for kindergarteners melodic piece. And ‘Humans In Chains’ closes the set with a dreamily floating space excursion.
Murray the Cop is West Virginia based Bunk Nesbit. What I enjoyed so much about this tape is the eerie morphing and mixing of synth-pop with Industrial and experimental elements.
‘Proceed With Caution’ opens the set with a brief, playful, minimal synth melody. The action really begins with ‘Dark Times Are Coming’, a spacey, hip-shaking, minimal synth-pop tune, overlaying voice samples that contrast with the music. But they’re hysterical! Examples: “Where’s a good place to take a shit?!” And, “You quit yer sassin’ boy. I pulled you out of your mother and I’ll shove ya right back in!” ‘Dance Of The Dead’ features hyper-kinetic synth-pop with swirling chaotic effects. The voice samples start with a brief bit from a religious show, but we soon get Bunk’s vocals singing to the music. It’s aggressive but melodic and has a nice groove. Imagine Chrome trying to be a synth-pop band. ‘Second Landing’ sounds like a steadily shimmering rush of aircraft drones and laser blasts, peppered with barely audible voice samples. ‘The Effects of PCP On The Godfather Of Soul’ is a rhythmic cut-up of James Brown shouts, horn blasts, and crowd cheers. ‘The Cancerous Gift’ consists of robotic synth-pop with tobacco scarred vocals that sound like a cross between Country and Goth. ‘No Mercy For The Weak’ is similar but with more overtly Goth vocals, but also a cool plinkity synth melody and a soaring spacey synth line. Bunk surprises by amusingly sneaking in the opening lines of lyrics from Tanya Tucker’s ‘Delta Dawn’. ‘Sheep In Wolves Clothing’ is pure valium drenched synth-drone-pop.
Side B opens with ‘Christian Prostitution’, which at 32 minutes is the epic of the set. It’s a free-wheeling collage banquet of voice samples, music, morse code melodies, sundry sounds, and effects. ‘Art Linkletters Daughter’ is a quirkily bouncy Kraftwerk for kindergarteners melodic piece. And ‘Humans In Chains’ closes the set with a dreamily floating space excursion.