Noring/McGee - Execution/Operation
74 minutes
Side A
1. Electric Vibrating Scalpel 6:30
2. They Turned Away 8:52
3. Commanded And Seized 5:44
4. United Tape Company 9:23
5. Big Drone Drill 12:26
Side B
6. Brain Screws 5:24
7. Bonesaw 6:26
8. Execution/Operation 09:38
9. The Listener Gets The Axe 9:45
originally released on CDR on the F.D.R. Recordings label (F.D.R. #119)
A mail collaboration, composed and recorded by Brian Noring and Hal McGee, March-April 2000.
a 74 minute CD of experimental electronic noise music, composed through the mail, by audio artists Brian Noring and Hal McGee. Collisions of heavy electronic drones; lo tech pyrotechnics; location, prepared and everyday sounds on tape; shortwave radio static; voice text mutations; and improvisational cut-up collage. Keyboards, various tape recorders, oscillator and sundry effects, plastic wagon, hollow metal light pole, clock radio, metal pitcher, wire whisk, Waring commercial blender, cheap microphones, maybe even the kitchen sink.
Side A
1. Electric Vibrating Scalpel 6:30
2. They Turned Away 8:52
3. Commanded And Seized 5:44
4. United Tape Company 9:23
5. Big Drone Drill 12:26
Side B
6. Brain Screws 5:24
7. Bonesaw 6:26
8. Execution/Operation 09:38
9. The Listener Gets The Axe 9:45
originally released on CDR on the F.D.R. Recordings label (F.D.R. #119)
A mail collaboration, composed and recorded by Brian Noring and Hal McGee, March-April 2000.
a 74 minute CD of experimental electronic noise music, composed through the mail, by audio artists Brian Noring and Hal McGee. Collisions of heavy electronic drones; lo tech pyrotechnics; location, prepared and everyday sounds on tape; shortwave radio static; voice text mutations; and improvisational cut-up collage. Keyboards, various tape recorders, oscillator and sundry effects, plastic wagon, hollow metal light pole, clock radio, metal pitcher, wire whisk, Waring commercial blender, cheap microphones, maybe even the kitchen sink.